one of his images: discarded cell phones.
[...] beauty is a powerfully effective tool for drawing viewers into uncomfortable territory. If I took ugly photographs, no one would want to look at them. My hope is to draw the viewer in with the intricate details and colors, and maybe the image will hold their attention while the deeper message seeps in. Many photographers have used beauty in this way. It's like slipping a note under the castle door. The strange combination of beauty and horror for me also serves as a potent metaphor for our consumerism. When you stand at a distance, consumerism can look pretty attractive -- all the nice shiny cars and houses and clothes and plasma TVs and so on. But when you get up close and look at our overworked dysfunctional families, the waste streams of our products, the wars our greed is fostering, worldwide environmental degradation, toxic metals in the breast milk of Eskimo women, birth defects in the children of the mothers who assemble our electronics in China, then you start to see that our consumer lifestyle is not so pretty. I try to create this effect in my photos, where it looks like one thing from a distance and then up close you realize it is something else. [...] I am frequently surprised by how little negative feedback I get for my criticism of the American way of life. Maybe it is because we all know it is true: that we are living insane lives governed by materialism and greed. Or maybe the lack of resistance is a reflection of the depth of our denial. When I exhibit my work and talk about our rampant consumerism, no one ever seems to think I am talking about them. Talking to Americans about consumerism is like talking to someone with an alcohol problem. Our culture is in deep denial about what we are doing to our planet, to the people of other nations, and the people of the future. And maybe the biggest tragedy of all is that we are in denial about how our consumer lifestyle is sapping our own spirits. We are slowly killing ourselves, and we all feel it. We know we are somehow getting screwed, that all this stuff isn't really satisfying, that we have lost something sacred that is related to the very core of our selves. But still we don't act. Instead we get in our BMWs and drive to our skyscrapers and shuffle our papers for all of the best hours of the best days of the best years of our lives so we can afford our new kitchen remodel. [...] I wish I could wag my finger self-righteously about everyone else's consumerism, but it doesn't take much self-reflection to realize I'm right in there myself. Not only do I benefit in a hundred ways from our consumer society every day, but my artwork is a direct part of it, and that is how I make my living. My printing process requires rolls of paper, gallons of ink, electricity, and so on. When I drive or fly somewhere to talk about my work, I contribute to the global warming that I am trying to fight against. And despite my efforts, sometimes I cannot resist buying cool stuff. Those new iPods are bitchin' and I want one. One thing I try to do is look at our consumer society from within, instead of preaching as if I were an outsider. One alcoholic in a family of alcoholics can speak up, as long as they don't do it in a finger-pointing kind of way.
The strange combination of beauty and horror for me also serves as a potent metaphor for our consumerism. When you stand at a distance, consumerism can look pretty attractive -- all the nice shiny cars and houses and clothes and plasma TVs and so on. But when you get up close and look at our overworked dysfunctional families, the waste streams of our products, the wars our greed is fostering, worldwide environmental degradation, toxic metals in the breast milk of Eskimo women, birth defects in the children of the mothers who assemble our electronics in China, then you start to see that our consumer lifestyle is not so pretty. I try to create this effect in my photos, where it looks like one thing from a distance and then up close you realize it is something else. [...] I am frequently surprised by how little negative feedback I get for my criticism of the American way of life. Maybe it is because we all know it is true: that we are living insane lives governed by materialism and greed. Or maybe the lack of resistance is a reflection of the depth of our denial. When I exhibit my work and talk about our rampant consumerism, no one ever seems to think I am talking about them.
Talking to Americans about consumerism is like talking to someone with an alcohol problem. Our culture is in deep denial about what we are doing to our planet, to the people of other nations, and the people of the future. And maybe the biggest tragedy of all is that we are in denial about how our consumer lifestyle is sapping our own spirits. We are slowly killing ourselves, and we all feel it. We know we are somehow getting screwed, that all this stuff isn't really satisfying, that we have lost something sacred that is related to the very core of our selves. But still we don't act. Instead we get in our BMWs and drive to our skyscrapers and shuffle our papers for all of the best hours of the best days of the best years of our lives so we can afford our new kitchen remodel. [...] I wish I could wag my finger self-righteously about everyone else's consumerism, but it doesn't take much self-reflection to realize I'm right in there myself. Not only do I benefit in a hundred ways from our consumer society every day, but my artwork is a direct part of it, and that is how I make my living. My printing process requires rolls of paper, gallons of ink, electricity, and so on. When I drive or fly somewhere to talk about my work, I contribute to the global warming that I am trying to fight against. And despite my efforts, sometimes I cannot resist buying cool stuff. Those new iPods are bitchin' and I want one. One thing I try to do is look at our consumer society from within, instead of preaching as if I were an outsider. One alcoholic in a family of alcoholics can speak up, as long as they don't do it in a finger-pointing kind of way.
[quotes elided and rearranged by me] The difference between theory and practise in practise ...
Lots of interesting images here:
http://www.artnotoil.org.uk/gallery/v/2006/gas+works+-+Carolyn+Stubbs.jpg.html Don't fight forces, use them R. Buckminster Fuller.