Hey, Grandma Moses started late!
Those have a look of underexposed Ektachromes. I must find some time to go to the gallery show... "What can I do, What can I write, Against the fall of Night". A.E. Housman
Those have a look of underexposed Ektachromes.
I could have made the colors more natural with photoshop, but I thought I should present them as exhibited. Hey, Grandma Moses started late!
I could have made the colors more natural with photoshop, but I thought I should present them as exhibited.
The trouble in typing slowly is that the answers are already there when you manage to post !!! "What can I do, What can I write, Against the fall of Night". A.E. Housman
I was just wondering what sort of film one could get in Paris in 1944... I would think it to be Agfacolor and the blue being a restoration density artefact ! "What can I do, What can I write, Against the fall of Night". A.E. Housman
While B&W chemicals were easy to find, color negatives or slides would have been quite a problem to get right in those times (unless you belonged to some propaganda staff or military photographer)!
Just musing around ! "What can I do, What can I write, Against the fall of Night". A.E. Housman
Following the pavilion face-off at the Paris Expo higher upthread, here we have the face-off in the posters during the war in, apparently, Nice (see above hoarding).
On the left, the Nazis were of course fighting terra. The Reds were guilty of Katyn, Vinnitza (I don't know what happened there except it's a Ukrainian town that was nastily visited by the SS Einsatzgruppen...), and the Haute Savoie (as margouillat notes), probably because of maquis activity.
What is the adjectif after "TERRORISME" that is hidden by the passer-by? Sibérien? ???
To the right, we have the good guys who are out in the snow fighting terra: the F that is visible is the end of LVF, the Légion des Volontaires Français, a French Kollabo volunteer unit that fought on the Eastern front. There were not many volunteers. When locusts move on, they leave nothing behind
One location during Stalin's Great Terror, exhumed and propagandised by the SS while they filled their own mass graves nearby. Read it here. *Traitor*, n. A benighted individual who perceives an illusory distinction between serving his nation and abetting the criminals who govern it.
I never fail to be surprised by how sensitive the Nazis were to "atrocity propaganda". That is, they flogged it for all it was worth against the Soviets, but also claimed Jewish complaints about bad treatment before the war were invented. What I'm thinking is that they were aware of the damage it could cause to others and to them if massacres and atrocities were publicised, yet the Allies (West™) always fought shy of using their knowledge of Nazi atrocities (of organised mass murder by the end of 1942) and never fully used it as a propaganda weapon. When locusts move on, they leave nothing behind
I'd seen the same poster in a different setting. It calls on good Germans to fight die jüdische Creuelpropaganda by buying in German (non-Jewish) shops. A good German lady looks on. The photo tells the story of what good Germans should be doing, etc -- addressed ostensibly, therefore, to a German public.
Er, but what's wrong with that analysis?
Why is the message translated into English?
For which public is the photo (and others like it) really intended? I'd say British and particularly American. The keywords are "Jewish atrocity propaganda". There had been false atrocity propaganda during WWI, and the Nazis were cashing in on it by suggesting Jewish claims of mistreatment were bogus. Muddying the waters... When locusts move on, they leave nothing behind
The english part of the picture is indeed surprising ! The fact that it isn't in french too, would aim more at the US then at UK (as after all the french were supposed to be "ze" great military power in the neighborhood)? "What can I do, What can I write, Against the fall of Night". A.E. Housman
