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Having less of the picture in focus is actually an advantage. Look at my picture of a bottle on a mountain background below; it's out of focus on purpose. You can't do that with a point and shoot, and my FZ-30 can barely do it.
Artistically, it serves the purpose of focussing the attention on something, and emphasizing depth, frontground vs background, object vs context, etc.
To obtain this effect you need maximum iris operture. In this picture I had to put on a grey filter and 1/1200 exposure, as well as sitting quite close to the bottle while zooming up a bit.
The opposite of this is a camera obscura, ie a pinhole camera, whereby light goes through a tiny puncture, instead of an actual lens system. Everything that gets (somewhat slowly) captured on the sensor is basically in focus. That's about what you get with a point-and-shoot in good lighting condition; just about everything should be focused.
Typically, the more expensive a camera, the larger the sensor and operture, and therefore the more you get this effect.

A 'centrist' is someone who's neither on the left, nor on the left.
by nicta (nico@altiva․fr) on Sun Mar 9th, 2008 at 09:04:17 AM EST
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Having less of the picture in focus is actually an advantage. Look at my picture of a bottle on a mountain background below; it's out of focus on purpose.

It can be an advantage, depending on what you're trying to achieve - if you don't want the background it's a good thing. Otherwise it's a bad thing.
by Colman (colman at eurotrib.com) on Sun Mar 9th, 2008 at 10:43:05 AM EST
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Yes but high end cameras can do both (just close the iris down) while cheap cameras can only do one.

A 'centrist' is someone who's neither on the left, nor on the left.
by nicta (nico@altiva․fr) on Sun Mar 9th, 2008 at 10:59:12 AM EST
[ Parent ]
Only if the lens in long enough though - good luck getting any noticeable circle-of-confusion out of a 20mm lens on 35m. It's not just about aperture and focal length either: sensor size makes a big difference as well. My GR-D, which has quite a small sensor and a 28mm wide angle lens, has massive depth-of-field even at f2.8. With the 21mm adaptor you hardly need to focus it, except for macros, while with the 40mm you can get a bit of isolation if the background is far enough away from a reasonably close subject.
by Colman (colman at eurotrib.com) on Sun Mar 9th, 2008 at 11:11:36 AM EST
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