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To kick off some discussion: I pair The Rifleman of the Voroshilov Regiment and Brother in my mind. Both portrayal the post-Soviet "moral downfall" in their way. But the first does it in a kind-of 'Hollywood' style: I don't mean the budget, but the one-rightful-man-against-the-world theme, and the happy ending. When I sat down to watch Brother, I expected something in that direction, mixed with that other Hollywood template of the rise and fall of a mobster - but both of those themes were fused into something other.

*Lunatic*, n.
One whose delusions are out of fashion.
by DoDo on Wed May 21st, 2008 at 10:26:46 AM EST
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I haven't seen The Rifleman of the Voroshilov Regiment so I can't comment.

But Brother lacks any heavy handed moral of the story message, leaving you to judge things for yourself.  I've read that it angered people with its apparent amorality, because it does not explicitly condemn Danila's actions.  But I don't know.  I think there is a subtle "moral message" about sending a kid off to war (he obviously did not set out the war in HQ as a clerk.)  There's some sense that society, the war, the poverty, etc. has created this seemingly amoral person.

"Pretending that you already know the answer when you don't is not actually very helpful." ~Migeru.

by poemless on Wed May 21st, 2008 at 11:37:36 AM EST
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