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Many thanks Sven.  I was using a simple small Flip webcam on a small tripod on the table we were sitting at.  There is no separate Microphone or jack for a mike input, but there is a USB port which allows you to plug it into a laptop... - so possibly, indirectly, a mike could be plugged in if it has a USB receptor.

It's my first time using the camera and I lost one clip because my eyesight is too poor to read the buttons on the camera clearly. Since I lost the sight of an eye small print instructions also defeat me.

To be honest, I was just glad to have a recording device because he speaks so fast, keeping notes would have been a nightmare, and as he can speak quite colourfully, his direct words are always better than my summary.

I thought he might be inhibited by the camera, but he clearly had some messages he wanted to get across.  His comments on Ganley could land him in the Libel Court - so strict are the laws here - and people with money just use the threat of them to keep people quiet.

I've tried editing the clip to take out the start but even uploading the clips took most of the night so I gave up until I have more time.  Part of me actually likes the obviously amateur set-up because it isn't meant to be a media set piece.

If I was going to do it properly I would need to have someone with me to operate the equipment.  It was simply a case of pointing the camera in the right direction and hoping nothing went wrong after that.

I'm aware of the one camera two takes technique but I actually ended up ad libing most of the questions, so I would have had to be able to edit out the sound in the first take and overlay it with the questions being asked a second time around on camera.  I had recorded the intro at home beforehand but would then have to splice it onto the interview itself - something I know how to do - but again it takes hours!  I couldn't get my laptop sound to work at the interview - so I couldn't play it to him - for his background - so I just ended up repeating most of it as part of my opening question.

All very amateur and unprofessional, but at least one step up from pure text, and an awful lot less writing and note taking on my part - which would also have slowed up the interview process.

So in the end I opted for speed and simplicity and tried to focus on the content.

notes from no w here

by Frank Schnittger (mail Frankschnittger at hot dotty communists) on Wed May 20th, 2009 at 11:37:45 AM EST
[ Parent ]
But if you need any more help, just let me know.

You can't be me, I'm taken
by Sven Triloqvist on Wed May 20th, 2009 at 11:40:32 AM EST
[ Parent ]
Many thanks.  I take your point about the poor audio quality in particular and will see if I can get a mike that I can plug in via the USB key.  I'm actually pleasantly surprised it's even as good as it is. - I had visions of having to type out the entire interview!

notes from no w here
by Frank Schnittger (mail Frankschnittger at hot dotty communists) on Wed May 20th, 2009 at 11:46:10 AM EST
[ Parent ]
I'm not sure where podcasts are going, but they are obviously easier to do than video. And easier to edit also. If you have, for instance, a Zoom H2 you can do great hi-fi stereo interviews, but you cannot hand-hold it.

Audio podcasts work well - I track several sites which I download to an iPod nano, but I also download videocasts too, such as the TED presentations.

You can't be me, I'm taken

by Sven Triloqvist on Wed May 20th, 2009 at 12:21:28 PM EST
[ Parent ]
It would be trivial - but not cheap - to buy something like a Zoom for video journalism, load the audio as a separate file, and then sync it to video later.

The problem with affordable USB mics is that they look like toys. The problem with 'proper' recorders like the Zoom is that they're expensive, especially if you're not using them much.

I don't know of anyone making a mid-range product which does both jobs well. Someone ought to start selling one.

The Samson is the best and cheapest I've been able to find - but something smaller and cheaper would be better.

by ThatBritGuy (thatbritguy (at) googlemail.com) on Wed May 20th, 2009 at 08:40:33 PM EST
[ Parent ]
The H2 can be had for around 160 quid. We've used one for budget shooting live acoustic music: we find a 'sweet spot' for the H2 up above the crowd and it runs continuously through the shoot, then 2 cameras shoot with inbuilt mics for synching, and overdubbing close up sounds where needed.

Yesterday I did a voiceover in a pukka studio with an acoustic speaker's booth with a good mic, but the track went straight to an H4, and the engineer doing flying 'marks' on it to indicate fluffs and retakes.

You can't be me, I'm taken

by Sven Triloqvist on Thu May 21st, 2009 at 03:49:28 AM EST
[ Parent ]
i love my zoom. it's tough, light, small and has great little mikes in it, with flash drive. i am using an 8G card with great results. can't recommend it highly enough. well worth the cost.

~"When an inner situation is not made conscious, it appears outside as fate." Karl Jung~
by melo (melometa4(at)gmail.com) on Thu May 21st, 2009 at 07:52:42 AM EST
[ Parent ]
OT, what podcasts do you track? do you use itunes?

~"When an inner situation is not made conscious, it appears outside as fate." Karl Jung~
by melo (melometa4(at)gmail.com) on Thu May 21st, 2009 at 07:56:06 AM EST
[ Parent ]
I track TED, several comedy sites and podcasts by friends and colleagues - mixed audio-only, video etc. I tend to watch the videos in bed, but the audios I listen to in the car.

I only have 8 gig on the nano, so I have to dump before reloading out of iTunes.

You can't be me, I'm taken

by Sven Triloqvist on Thu May 21st, 2009 at 08:33:59 AM EST
[ Parent ]

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