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Just to point out: Despite prolongations in copyright (life + 70 years in many states), Kafka's works are now in public domain (except in Cote d'Ivoire), so this is the actual papers. But I guess the value to a collector could be great.

They could revert from public domain if the push for prolongation to life+90 goes through before 2014, but that should not be affected by who holds the actual papers.

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by A swedish kind of death on Tue Sep 29th, 2009 at 07:18:25 AM EST
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Is this true everywhere even for unpublished works? There was a recent case in the German courts where the holders of the manuscript tried to ban unapproved performances of an unpublished Vivaldi opera. I think they lost in court, but I wonder whether the situation in other countries may be different.
by gk (g k quattro due due sette "at" gmail.com) on Tue Sep 29th, 2009 at 07:25:29 AM EST
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Copyright law makes a distinction between content and carrier. Once content is in the public domain, it remains public. Specific instances of the content - books, etc - can remain under copyright.

This matters because specific publications are sometimes edited, making them slightly unique. Although I can download a copy of something by Jane Austen from one of the archive sites on the web, I can't legally scan and upload a particular printed version. Similarly if I translate something by Plato into English, the translation remains in copyright, even though the original Greek is in the public domain.

I can't see how it's possible to prevent a performance of the music on an old manuscript, unless the manuscript was stolen. The owners own the manuscript. If the music on it is already public, it remains public. If it wasn't public and was copied without permission, they have a case of sorts based on the loss of value of their original, but it's not quite a standard copyright case.

by ThatBritGuy (thatbritguy (at) googlemail.com) on Tue Sep 29th, 2009 at 07:36:23 AM EST
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If I remember correctly, the manuscript was stolen, by the Russians after WW2. Before returning it, they (actually the Poles, I think) made and published microfilm copies. The owners of the manuscript managed to stop a planned first performance in Italy (in a German court - apparently because some of the performers were German), but eventually lost.
by gk (g k quattro due due sette "at" gmail.com) on Tue Sep 29th, 2009 at 08:13:46 AM EST
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Copyright legislation differs, but Berne and TRIPS has made it fairly uniform. Books and compositions are also what the legislation was first written for, so I think

As I see it they have two options, either publish the original text as it is, meaning Kafka is the author and it is public domain or publish an edited version which - as TBG points out - means that the total version runs under the editors copyright (life+70). But to prove that it has been edited enough to warrant copyright they will need to release the original, which will then be in public domain. Unless there is some legal way to prove without the text becoming public.

In the german case I wonder how the would-be performers got the copy in the first place if it is unpublished.

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by A swedish kind of death on Tue Sep 29th, 2009 at 07:50:47 AM EST
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