NEW YORK -- All the world from the Sydney Opera House to the Empire State Building turned Irish, or at least Irish for the day, as revelers marked St. Patrick's Day with bagpipes, dancing, emerald lights and green body paint in a flurry of celebration.New Yorkers and visitors from all over the globe lined Manhattan's Fifth Avenue a dozen deep for the world's oldest and largest St. Patrick's Day parade Wednesday, as crowds gathered along sun-warmed routes in Dublin and cities around the U.S. to mark the holiday.The day simultaneously served as a celebration of spring in many cities, with participants in parades and other outdoor gatherings basking in temperatures in the 60s after a harsh winter.The 249th St. Patrick's Day extravaganza in New York City was to be the last of the Big Apple's world-famous parades to take place before new restrictions go into effect April 1 requiring all parades to be shorter to save money.The city issued the new rules in February, requiring all parades to trim routes by 25 percent and reduce time to less than five hours, changes estimated to save $3.1 million in police expenses.
NEW YORK -- All the world from the Sydney Opera House to the Empire State Building turned Irish, or at least Irish for the day, as revelers marked St. Patrick's Day with bagpipes, dancing, emerald lights and green body paint in a flurry of celebration.
New Yorkers and visitors from all over the globe lined Manhattan's Fifth Avenue a dozen deep for the world's oldest and largest St. Patrick's Day parade Wednesday, as crowds gathered along sun-warmed routes in Dublin and cities around the U.S. to mark the holiday.
The day simultaneously served as a celebration of spring in many cities, with participants in parades and other outdoor gatherings basking in temperatures in the 60s after a harsh winter.
The 249th St. Patrick's Day extravaganza in New York City was to be the last of the Big Apple's world-famous parades to take place before new restrictions go into effect April 1 requiring all parades to be shorter to save money.
The city issued the new rules in February, requiring all parades to trim routes by 25 percent and reduce time to less than five hours, changes estimated to save $3.1 million in police expenses.
NEW YORK--While having drinks with friends at a local bar Monday, Donald Fagen, 60, a Rock and Roll Hall of Fame inductee and cofounder of the multiplatinum-selling American rock band Steely Dan, was once again forced to defend his appreciation for the multiplatinum-selling American rock band Steely Dan. "Look, I understand. It's an acquired taste," Fagen said after putting his group's 1978 hit "Deacon Blues" on the bar's jukebox. "I wasn't that into it at first, either. But when you really listen to the unbelievable production values and the wry, perfectly crafted lyrics--it's just great art, okay? You should definitely give 'the Dan' a shot." Fagen went on to cite additional evidence in defense of his admiration for the music, including the disparate jazz, R&B, and blues influences that pervade the band's music, and the ultraclean sound that became the group's hallmark. "No one attained that level of perfection in the studio," Fagen said. "Do you know how many guitar players tried and failed to nail the solo on the song 'Peg'? Six. Six professional session guitar players. That's commitment to a vision, if you ask me." [...] Even after his acquaintances roundly dismissed Steely Dan as "pussy music," Fagen vehemently maintained that the band has contributed significantly to the rock and roll genre, and described his and Becker's unorthodox instrumentation choices and song arrangements as "bold."
NEW YORK--While having drinks with friends at a local bar Monday, Donald Fagen, 60, a Rock and Roll Hall of Fame inductee and cofounder of the multiplatinum-selling American rock band Steely Dan, was once again forced to defend his appreciation for the multiplatinum-selling American rock band Steely Dan.
"Look, I understand. It's an acquired taste," Fagen said after putting his group's 1978 hit "Deacon Blues" on the bar's jukebox. "I wasn't that into it at first, either. But when you really listen to the unbelievable production values and the wry, perfectly crafted lyrics--it's just great art, okay? You should definitely give 'the Dan' a shot."
Fagen went on to cite additional evidence in defense of his admiration for the music, including the disparate jazz, R&B, and blues influences that pervade the band's music, and the ultraclean sound that became the group's hallmark.
"No one attained that level of perfection in the studio," Fagen said. "Do you know how many guitar players tried and failed to nail the solo on the song 'Peg'? Six. Six professional session guitar players. That's commitment to a vision, if you ask me."
[...]
Even after his acquaintances roundly dismissed Steely Dan as "pussy music," Fagen vehemently maintained that the band has contributed significantly to the rock and roll genre, and described his and Becker's unorthodox instrumentation choices and song arrangements as "bold."
