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Frank Capra is always a surprise.



"Life shrinks or expands in proportion to one's courage." - Anaïs Nin

by Crazy Horse on Tue Mar 16th, 2010 at 11:29:48 AM EST
Wow those communists are tricky, testifying before HUAC to cover up his fanatical Weatherist views.

Any idiot can face a crisis - it's day to day living that wears you out.
by ceebs (ceebs (at) eurotrib (dot) com) on Tue Mar 16th, 2010 at 12:08:43 PM EST
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????

"Life shrinks or expands in proportion to one's courage." - Anaïs Nin
by Crazy Horse on Tue Mar 16th, 2010 at 12:46:45 PM EST
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Frank Capra

Capra stopped making Hollywood films and did a science series for television in the 1950's. He testified in secret hearings before HUAC and named names.



Any idiot can face a crisis - it's day to day living that wears you out.
by ceebs (ceebs (at) eurotrib (dot) com) on Tue Mar 16th, 2010 at 02:06:38 PM EST
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Our local movie rental store has a second-rate epiphany and reorganized the store. I don't know if they used feng-shui, advanced behavioural analysis, hypercomplex Wal-Mart eyeline means buyline strategies or they were just bored.

Anyroad, 'The Longest Day', Darryl F. Zanuck's 1962 D-Day epic, had clearly been lurking in some god-forsaken category in the emporium of dreams because it suddenly loomed before me on the rejigged shelves.

Too many cooks spoil ze broth, but in this movie the multiple directors were an advantage. I found it both very moving and also an absurd casting reel for every actor who made it in the following decade.

skype?

You can't be me, I'm taken

by Sven Triloqvist on Tue Mar 16th, 2010 at 04:16:22 PM EST
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is that the one that was released in both black and white and colour formats? so you never know which one you're going to get when its on TV?

Any idiot can face a crisis - it's day to day living that wears you out.
by ceebs (ceebs (at) eurotrib (dot) com) on Tue Mar 16th, 2010 at 04:35:01 PM EST
[ Parent ]
AFAIK it was shot in B/W, but I do know that two language versions were shot at each set - one with everyone speaking English, and the first released version where the languages are in context - with subtitles.

Some scenes were dubbed both ways.

You can't be me, I'm taken

by Sven Triloqvist on Tue Mar 16th, 2010 at 05:28:18 PM EST
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Ah the VHS version was colourised

Any idiot can face a crisis - it's day to day living that wears you out.
by ceebs (ceebs (at) eurotrib (dot) com) on Tue Mar 16th, 2010 at 06:55:29 PM EST
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I haven't found any info on when that was done, though there was certainly a colourized version available for the 1994 50th anniversary of D-Day. My guess is that it dates from 1994, because the expense of the process would have been recouped from anniversary sales.

You can't be me, I'm taken
by Sven Triloqvist on Wed Mar 17th, 2010 at 10:54:27 AM EST
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I didn't know it was in b/w, it's a regular tv staple here and it's always in colour.

Having seen and read too much about D-Day over the years I can say there's a tremendous amount of artistic license in the narrative and the mess at Omaha is almost completely airbrushed out, although it's probably true that the scale of the carnage there has been grossly underestimated until fairly recently.

keep to the Fen Causeway

by Helen (lareinagal at yahoo dot co dot uk) on Tue Mar 16th, 2010 at 06:06:36 PM EST
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The film was shot and first released in B/W. The version you have seen is artificially colourised.

You can't be me, I'm taken
by Sven Triloqvist on Tue Mar 16th, 2010 at 06:18:07 PM EST
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See the original - Omaha is depicted as the bloodbath that it was. It also holds a much longer screen time than any other battle location.

You can't be me, I'm taken
by Sven Triloqvist on Tue Mar 16th, 2010 at 06:22:56 PM EST
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Oh it was far worse than they depicted, simply cos nobody had really looked into it much beyond the official reports until recently. So they didn't know back then.

It turns out to have been an absolute shambles with some forces invading the wrong part of France and others finding it almost impossible to get beyond the shelter of the cliffs. Some parts of the german resistance at the top of the cliff weren't overrun until 3 days later.

keep to the Fen Causeway

by Helen (lareinagal at yahoo dot co dot uk) on Tue Mar 16th, 2010 at 06:50:31 PM EST
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It was interesting to see The Hurt Locker being Oscar-ised recently.

It's not too much of an exaggeration to say that while critics loved it, many Iraq vets thought it was ridiculous, even insulting.

As usual in narrative engineering, the ideal is far more important than the real.

by ThatBritGuy (thatbritguy (at) googlemail.com) on Tue Mar 16th, 2010 at 10:04:53 PM EST
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how can you make a 'values-neutral' war flick?

yet that's what i heard it was.

sky offered it free the same night!

surprised they don't offer to pay us to watch it...

fishiest oscar sweep ever.

~"When an inner situation is not made conscious, it appears outside as fate." Karl Jung~

by melo (melometa4(at)gmail.com) on Wed Mar 17th, 2010 at 03:09:01 AM EST
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I couldn't bring myself to see it. I did pre-order the 'An Education' DVD, on the recommendation of my France-based daughter who raved about it.

You can't be me, I'm taken
by Sven Triloqvist on Wed Mar 17th, 2010 at 10:56:34 AM EST
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