Unlike most of his European colleagues, he was also willing to travel to the USA to study developments, and merged the best from both sides into something rivalling the efficiency of diesels and electrics of his time - culminating in 242 A.1 (finished 1946), probably the best express steam locomotive ever (only rivalled by other works of Chapelon). Three cylinders powered its four driven wheelsets with up to 6600 HP in tests - more than twice the power of same-sized European locomotives, and even exceeding most of the much bigger American ones of the same wheel arrangement!¹

Chapelon's misfortune was the post-WWII consolidation of railways into state company SNCF: he lost out in the struggle for leadership. Rivals from other railways had bad experience with compounds² - and against the positive opinion of every technician, decided to scrap even former P.O. compounds. But Chapelon later returned from early retirement: his genius and knowledge was needed to solve unstable running problems in the high-speed development that led to the TGV.

Austria: Gölsdorf

Karl Gölsdorf was chief designer of Austria's state railways (kkStB) until his death in the middle of WWI. He contributed to some of the key changes from the 19th to the 20th century (many coupled axles, high-placed boilers), but he his famous for oddities - his speciality was to take familiar designs, turn them upside down, and still make them work. For example, the kkStB class 310. In the early 20th century, the 2'C1' wheel arrangement (US: 4-6-2 or "Pacific"; a bogie with 2 running wheelsets for stable running, followed by 3 coupled driven axles, followed by another running wheelset to support an enlarged firebox) became the new standard for express locomotives. But on weak Austrian rails, one back wheelset was not enough to support a new heavy firebox, while short turntables didn't allow extra wheels. So Gölsdorf just mirrored the arrangement - and made the world's only 1'C2' work!

Preserved kkStB 310.23 with nostalgic train "Le Majestic" in Budapest West (introduced last week).

Germany: Wagner

When Bismarck unified Germany, the various Länder retained significant autonomies, guarded anxiously (and seen by others as backward provincialism). So for example each 'nationalised' its own state railways. Only after WWI was Deutsche Reichsbahn (= German Imperial Railway) formed. To end the chaos of hundreds of locomotive types, a grand programme to build Einheitsloks (='unified locomotive types') was started.

The man entrusted with the job was Prussian designer Richard-Paul Wagner. Unlike Gölsdorf, he was a man for well-refined standard designs. He made sure that a lot of parts of different locomotives can be easily exchanged during repairs, he insisted on well-tested technology, designed superb wheelsets, and efficient long boilers. The dominance of his work among surviving European museum locomotives attest to the longevity of his designs.

However, Wagner was a dogmatic who refused new ideas from outside or from underlings. Beyond the use of bad or expensive materials and the non-use of welding, his greatest crime was not adopting a US development that made boilers of the same size more powerful, and suitable for less-than-top-quality coal: the combustion chamber³. Thus when he built two prototypes (the series 06) of a locomotive with the same wheel arrangement as Chapelon's later masterpiece, they were less than half as powerful.

The most easily distinguishable difference between Wagner's and Witte's design style: the smoke deflectors. Left: Wagner's classic 2'C1' express locomotive 01 118; right: the last-built German steamer 23 105. Both images by Christian Splittgerber, from RailFanEurope

Germany: Witte

The apprentice to usurp Wagner was called Friedrich Witte. But he did so in dark times.

Hitler, being a fan of motorisation, originally had not much time for railways, and foresaw highways and tanks to solve problems of logistics when conquering Europe. But practice on the Eastern Front forced re-thinking. In early 1942, Albert Speer was entrusted with reshuffling all aspects of war production, and he chose Witte rather than Wagner as his contact. Wagner resigned later that year, and Witte became DR's chief designer.

Witte too knew everything about locomotives and had good economics in mind, but unlike Chapelon, he was a minimalist. This fit the 1942 situation perfectly - starting from a type for which he already got through with his boiler design ideas (series 50), he 'bared' it of Wagner's expensive stuff, and rare metal parts, resulting in the locomotive type built in the largest numbers in the world: the Kriegslok (=war locomotive) series 52.

Witte's work may have prolonged the Nazi defeat and the end of the Holocaust by a year - a, let's just say, rather doubtful feat. From what I read, he never expressed political views, but he was not blind and was more than a mere bureaucrat⁴, he must have been a cynical careerist: he found ways to branch off funding for his non-war-relevant research, and sensing the times to come, made sure that all 'worthy' locomotive types were stationed in the future US/UK occupation zones.

After the war, Witte (right on photo above), like so many other sullied engineers kept by the powers-that-be, got his chance to realise his visions. However, due to post-war quality problems and some bad choices in devices, his own types proved shorter-lived than Wagner's (and even some older Prussian types) with his upgrades, and he too was overtaken by the rise of electric traction.

Previous Monday Train Bloggings:

1. (Premiere/ modern Austrian trains & locos)
2. Adventure
3. Fast Steam
4. Heavy Haul
5. Forgotten Colorado
6. The Hardest Job
7. Blowback
8. Highest Speed
9. New England Autumn
10. Trainwreck
11. Bigger Than Big Boy
12. Tunnels
13. Failed Designs
14. Demarcations
15. Crazed Designs
16. Trains In The Arts
17. Railway Cathedrals