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by afew Wed Nov 21st, 2012 at 11:09:31 AM EST
keep to the Fen Causeway
Wikipedia:
On October 30, 1924, Midgley participated in a press conference to demonstrate the apparent safety of TEL. In this demonstration, he poured TEL over his hands, then placed a bottle of the chemical under his nose and inhaled its vapor for sixty seconds, declaring that he could do this every day without succumbing to any problems whatsoever. [...] Midgley himself was careful to avoid mentioning to the press that he required nearly a year to recover from the lead poisoning brought on by his demonstration at the press conference.
Also check out this article (pdf):
After Frank Durr died in a straightjacket in 1924, workers at the DuPont Deep Water plant thought they knew what killed him. They figured it was the same thing that killed William McSweeny--whose sister called the police for help after he went home sick from his work at a similar Standard Oil facility, then woke up the next morning violently insane. He died in a straightjacket, too. Fifteen others did as well, and the dead men shared one more feature: They all had worked in a House of Butterflies--a buildng for tetraethyl lead synthesis--so named because its workers were known for brushing hallucinated insects from their bodies.
Yet more fun with Chapter Four from Anthony Sutton's "Wall Street and the Rise of Hitler":
CHAPTER FOUR: Standard Oil Fuels World War II
Another prominent example of Standard Oil assistance to Nazi Germany -- in cooperation with General Motors -- was in supplying ethyl lead. Ethyl fluid is an anti-knock compound used in both aviation and automobile fuels to eliminate knocking, and so improve engine efficiency; without such anti-knocking compounds modern mobile warfare would be impractical. In 1924 the Ethyl Gasoline Corporation was formed in New York City, jointly owned by the Standard Oil Company of New Jersey and General Motors Corporation, to control and utilize U.S. patents for the manufacture and distribution of tetraethyl lead and ethyl fluid in the U.S. and abroad. Up to 1935 manufacture of these products was undertaken only in the United States. In 1935 Ethyl Gasoline Corporation transferred its know-how to Germany for use in the Nazi rearmament program. This transfer was undertaken over the protests of the U.S. Government. Ethyl's intention to transfer its anti-knock technology to Nazi Germany came to the attention of the Army Air Corps in Washington, D.C. On December 15, 1934 E. W. Webb, president of Ethyl Gasoline, was advised that Washington had learned of the intention of "forming a German company with the I.G. to manufacture ethyl lead in that country." The War Department indicated that there was considerable criticism of this technological transfer, which might "have the gravest repercussions" for the U.S.; that the commercial demand for ethyl lead in Germany was too small to be of interest; and, ... it has been claimed that Germany is secretly arming [and] ethyl lead would doubtless be a valuable aid to military aeroplanes.10
Another prominent example of Standard Oil assistance to Nazi Germany -- in cooperation with General Motors -- was in supplying ethyl lead. Ethyl fluid is an anti-knock compound used in both aviation and automobile fuels to eliminate knocking, and so improve engine efficiency; without such anti-knocking compounds modern mobile warfare would be impractical.
In 1924 the Ethyl Gasoline Corporation was formed in New York City, jointly owned by the Standard Oil Company of New Jersey and General Motors Corporation, to control and utilize U.S. patents for the manufacture and distribution of tetraethyl lead and ethyl fluid in the U.S. and abroad. Up to 1935 manufacture of these products was undertaken only in the United States. In 1935 Ethyl Gasoline Corporation transferred its know-how to Germany for use in the Nazi rearmament program. This transfer was undertaken over the protests of the U.S. Government.
Ethyl's intention to transfer its anti-knock technology to Nazi Germany came to the attention of the Army Air Corps in Washington, D.C. On December 15, 1934 E. W. Webb, president of Ethyl Gasoline, was advised that Washington had learned of the intention of "forming a German company with the I.G. to manufacture ethyl lead in that country." The War Department indicated that there was considerable criticism of this technological transfer, which might "have the gravest repercussions" for the U.S.; that the commercial demand for ethyl lead in Germany was too small to be of interest; and,
... it has been claimed that Germany is secretly arming [and] ethyl lead would doubtless be a valuable aid to military aeroplanes.10
Lead is not that important in pinging, as both Bryson and others have found, so the addition of lead, as well as being polluting, was useless.
the same thing is happening now with nanotechnology and people don't seem to care. for example, nanotechnology to have a nice finish on your car's paint job?
Hilarious!
Wasn't in "band" myself, but on Junior High and High levels I've heard Birdland more times that I can count. -----sapere aude
The film premiered at the 2012 Toronto International Film Festival, whereupon it received a 10-minute standing ovation. The film has polarized critics, with some, like Roger Ebert, praising it highly, and others, such as Christy Lemire panning it outright. The reaction to Cloud Atlas has been compared to the previous year's reaction to Terrence Malick's The Tree of Life.... Film critic Roger Ebert praised the film for being "one of the most ambitious films ever made", awarding the film four out of four stars. He wrote "Even as I was watching Cloud Atlas the first time, I knew I would need to see it again. Now that I've seen it the second time, I know I'd like to see it a third time ... I think you will want to see this daring and visionary film ... I was never, ever bored by Cloud Atlas. On my second viewing, I gave up any attempt to work out the logical connections between the segments, stories and characters." Variety described it as "an intense three-hour mental workout rewarded with a big emotional payoff. ... One's attention must be engaged at all times as the mosaic triggers an infinite range of potentially profound personal responses."[3] James Rocchi of MSN Movies stated "It is so full of passion and heart and empathy that it feels completely unlike any other modern film in its range either measured through scope of budget or sweep of action."[49] The Daily Beast called Cloud Atlas "one of the year's most important movies". Inside movies described the film as "utterly, wonderfully epic".[45] Michael Cieply of The New York Times commented on the film "You will have to decide for yourself whether it works. It's that kind of picture. ... Is this the stuff of Oscars? Who knows? Is it a force to be reckoned with in the coming months? Absolutely."[50] However, the film was criticized by Slant Magazine reviewer Calum Marsh, who called Cloud Atlas a "unique and totally unparalleled disaster" and commented "[its] badness is fundamental, an essential aspect of the concept and its execution that I suspect is impossible to remedy or rectify".[51] The Guardian stated "At 163 minutes, Cloud Atlas carries all the marks of a giant folly, and those unfamiliar with the book will be baffled."[52]
The film has polarized critics, with some, like Roger Ebert, praising it highly, and others, such as Christy Lemire panning it outright. The reaction to Cloud Atlas has been compared to the previous year's reaction to Terrence Malick's The Tree of Life....
Film critic Roger Ebert praised the film for being "one of the most ambitious films ever made", awarding the film four out of four stars. He wrote "Even as I was watching Cloud Atlas the first time, I knew I would need to see it again. Now that I've seen it the second time, I know I'd like to see it a third time ... I think you will want to see this daring and visionary film ... I was never, ever bored by Cloud Atlas. On my second viewing, I gave up any attempt to work out the logical connections between the segments, stories and characters."
Variety described it as "an intense three-hour mental workout rewarded with a big emotional payoff. ... One's attention must be engaged at all times as the mosaic triggers an infinite range of potentially profound personal responses."[3] James Rocchi of MSN Movies stated "It is so full of passion and heart and empathy that it feels completely unlike any other modern film in its range either measured through scope of budget or sweep of action."[49] The Daily Beast called Cloud Atlas "one of the year's most important movies".
Inside movies described the film as "utterly, wonderfully epic".[45] Michael Cieply of The New York Times commented on the film "You will have to decide for yourself whether it works. It's that kind of picture. ... Is this the stuff of Oscars? Who knows? Is it a force to be reckoned with in the coming months? Absolutely."[50]
However, the film was criticized by Slant Magazine reviewer Calum Marsh, who called Cloud Atlas a "unique and totally unparalleled disaster" and commented "[its] badness is fundamental, an essential aspect of the concept and its execution that I suspect is impossible to remedy or rectify".[51] The Guardian stated "At 163 minutes, Cloud Atlas carries all the marks of a giant folly, and those unfamiliar with the book will be baffled."[52]
i don't care what the rest of the film world says, should there be a civilization for my grandchildren, they will be discussing this film and its repercussions.
PS. Even better the second time, all three hours of it.
PPS. This is absolutely brilliant filmmaking, including the balance of art and commerce, and i simply can't believe this hasn't exploded. Actually, as far as the US goes, i can believe, since it was released in the run up to election. But then, amurkans aren't likely to like the look in the mirror.
PPPS. Fuck it, no time to diary. Damn. "Life shrinks or expands in proportion to one's courage." - Anaïs Nin
my amurkan friends can't seem to get it, as i'm discovering on facecrack. "Life shrinks or expands in proportion to one's courage." - Anaïs Nin
As in, buy the book, see the movie, understand?
It will be last released in France (and Japan), on the 15th of March. 2013.
Meh.
(They really fear French film critics that much?)
(More often, films are released first in France. Is this a loss of cultural hegemony?) It is rightly acknowledged that people of faith have no monopoly of virtue - Queen Elizabeth II
getting a dubbed version ready in time when they want France to be in the first wave.
??
But perhaps you were saying something else. It is rightly acknowledged that people of faith have no monopoly of virtue - Queen Elizabeth II
and when things get worse, the truth becomes even more obvious. It's a fine line between homage, parody, and consumer opportunism. Jess Walter
"When it becomes serious, you have to lie."
Jean-Claude Junker 20/04/2011 Prime minister of Luxenbourg Chairman of the Eurogroup Council of Eurozone Finance Ministers It's a fine line between homage, parody, and consumer opportunism. Jess Walter
Central bankers are feverishly attempting to create their own new world: a utopia in which debts are never restructured, and there are no consequences for fiscal profligacy, i.e. no atonement for prior sins. They have created Potemkin villages on a Jurassic scale. The sum total of the volatility they are attempting to suppress will be less than the eventual volatility encountered when their schemes stop working. Most refer to comments like this as heresy against the orthodoxy of economic thought. We have a hard time understanding how the current situation ends any way other than a massive loss of wealth and purchasing power through default, inflation or both.
highly interesting, go read the whole thing... It's a fine line between homage, parody, and consumer opportunism. Jess Walter
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