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by afew Tue May 15th, 2012 at 11:01:43 AM EST
I'm going to watch some Monty Python.
The optimistic scenario I posted some time back was posited on a strong showing from the left in the first round of the election, a more leftwing prime minister as a result, and pressure from social movements and unions. The first of those conditions didn't come through, since the strong electoral showing was from the far right. The second is 99% certain not to materialise: the bets for PM are on Jean-Marc Ayrault (whom I personally take for an apparatchik, but the media say he speaks fluent German, which is presumably going to be helpful placating Teutonic ire). The third, we'll see.
The new French Prime minister is already on Twitter: @jeanmarcayrault. He didn't tweet the scoop,clearly doesn't get Twitter... ;)
Or have eye fo-pahd again.
(Ed. - At least CH didn't try pronounce his name to rime with salt, as in the thing Brussels puts in people's wounds.) "Life shrinks or expands in proportion to one's courage." - Anaïs Nin
but I don't believe none of what I hear. And only half of what I see. It is rightly acknowledged that people of faith have no monopoly of virtue - Queen Elizabeth II
Son père fut ouvrier agricole, ouvrier dans une usine textile, puis cadre. Sa mère, couturière puis femme au foyer.
What matters is he. I know many children of poor people who are very right-wing.
Hi already tolled you that.
Guindo = cherry (tree) "caerse del guindo"("fall from the cherry")= realize what is happening.
(Pining for the fjords, I am).
It's only natural by Crowded House. I'm not pretending it's the greatest track ever, although I kind of like the 60's ish guitar lick I'm just glad I now know what it is.
keep to the Fen Causeway
I first saw Neil in about 1975, solo, opening for Split Ends (note original spelling). Already excellent, melodic, rather tame compared to the main act. It is rightly acknowledged that people of faith have no monopoly of virtue - Queen Elizabeth II
French President Francois Hollande's plane returns to Paris as a precaution after being struck by lightning en route to Berlin(@RTÉnews
I suupose there's a remote chance there's a divine bug and they're on our side for once.
Seriously, lightning can be dangerous to a plane, so glad all's well that ends well. "Life shrinks or expands in proportion to one's courage." - Anaïs Nin
Undaunted, Hollande stuck to his original plan to cruise the Champs Elysées in an open-roof Citroën car (HuffPo).
As some wise guy (dryly) noted on Twitter: "...and tonight, cold shower with Angela Merkel". Europeans think a hundred miles is a long way. Americans think a hundred years is a long time.
Well, after a dentist appointment, at 16:00 I'm riding into work, decked in my old team gear and one of my old racing bikes since racing bikes is all I got and it's a long way to work - 40 minutes or so. Traffic was hell once I got to the quai de la Rapée in front of where Geezer in Paris used to live, so I got on the bike trail. Once I get to quai des célestins, about 1.000 metres from the Hôtel de Ville, there's a police cordon, so now I know why traffic is backed up. Naturally since I'm on a bike I went through the police cordon and, seeign there were no cars on the quai at this point, got back on the road, which I now had for myself, except for another police cordon going through which I got yelled at.
Paying no mind, I rounded the turn through another police cordon and came upon the front entrance of the Hôtel de Ville, in front of which a couple of dozen Citroën C8s and a bunch of police cars were parked. Continuing on, heading west from in front of the Hôtel de Ville towards Châtelet, there are ceremonially garbed cops everywhere, both sides of the roads are barriered off like in a bike race, and given the road was completely clear and blocked off left and right even from the north-south arteries like Sevastopol, it was easy to cruise at 40 km/h. The crowds noticed me and started cheering, and I started waving and blowing kisses, including to the France Television people who were there and who I noticed.
It was like being off on a solo flyer in a criterium. It's been a long time since I've been off the front solo in a crit race. It was fun.
Once I got to Rue de Rivoli I sorta figured out why the streets had been cleared for my commute into work.
Got into work easily 10 minutes faster than usual this afternoon. And, if you see camera footage of a cyclist riding solo decked out in a Green and Gold "Grandstay Residential Suites" kit (one of my old semi-pro teams) that was me, and please, let me know, the old sponsor would love to see that footage I am sure...
I would be ashamed to admit that I had risen from the ranks. When I rise it will be with the ranks, and not from them Eugene Debs
You're lucky you're in France, in the UK you'd be in a deepest dungeon Paddington Green police station can offer and neither we nor your family would be hearing from you for days keep to the Fen Causeway
But it didn't get that much bigger! I would be ashamed to admit that I had risen from the ranks. When I rise it will be with the ranks, and not from them Eugene Debs
(Without a bit of luck they'd have grabbed you as a commie bastard who was fucking up the parade... ;))
I ride one of those in the the winter, easier to control in ice and snow via retropedelling. When I see some of the hipsters clowns around here riding them though, I note another fad...riding one without brakes, assuming you can brake via retro-pedalling (which indeed you can do, and works just fine on a track).
Problem is, traffic isn't on a wooden track, and there's a bit of a problem trying to retropedal when you've dropped your chain, which happens often. Chains stretch over time, and when they do, you have to adjust the rear wheel to tighten the chain over the gearing in the front and rear. Which you of course can't do all the time and certainly not while riding. I would be ashamed to admit that I had risen from the ranks. When I rise it will be with the ranks, and not from them Eugene Debs
Hit an intersection cruising at 30 km/h (pretty easy to do on one of these things, they're built for relative cruising speed) and drop your chain, and you'll be peeling your face off of the hood of a car in no time.
I know the hill thing...other issue with a fixie on a hill...it's easier to go up 'em than go down 'em. When you go down, say, a -6 or -8, and you've got a 45 cog in the front and a 16 cog say in the rear, you're pretty quickly going to be hitting cadence of 160. That's a lot of furious pedalling which, being a fixed gear, you've no choice but to do (or unclip and let the pedals fly round and round alone, which is funny to watch when you see someone do it...)
It's good to see hipsters these days on bikes though. Back in the day they'd be on a Vespa or somesuch...a bicycle is so much cooler, in all ways! I would be ashamed to admit that I had risen from the ranks. When I rise it will be with the ranks, and not from them Eugene Debs
My first bike was this model. (Surprised to find the image.) When in about third grade, I managed to crash it badly enough that the two front down tubes came off the seat tube (brazed on without lugs). Still have the scar from where the handlebar end tried to puncture my lung.
What amazes me is the number of Finnish cyclists that continue through the winter - using either deeper treads or even studs. You can't be me, I'm taken
Weigh damn near more than the bike they're on. I would be ashamed to admit that I had risen from the ranks. When I rise it will be with the ranks, and not from them Eugene Debs
But all these companies began life at the turn of the 20th C as the Finnish Rubber Works (no tittering at the back there!). You can't be me, I'm taken
Nothing to add, seriously! Enjoying the thread, but I'm a complete dilettante with a bike. It is rightly acknowledged that people of faith have no monopoly of virtue - Queen Elizabeth II
Greeks apologise with huge horse Left outside the European Central Bank in the dead of night, the horse has now been moved into the ECB's central lobby where it is proudly on display. A gift tag attached to the horse, which is surprisingly light for its size and has small holes along the length of its body, suggested that it should be placed in the bank's vaults overnight to avoid it being targeted by thieves. Mario Draghi, President of the ECB, said: "How nice of the Greeks to acknowledge the trouble we've been put to on their behalf with this wonderful horse, handmade and so large it could hold a dozen double-decker buses. "The card with it, which had a teddy bear dressed as a hobo on the front, explained that Greece made us this because they don't have enough money for a present, which brought a tear to my eye. "Nonetheless, unless they can somehow find 200 billion overnight then austerity measures must continue." Oddly, Greek representatives in Brussels have hinted that they may soon be in a position to settle their debts and have puzzled the French and German banks that hold their loans by asking if there is any discount for cash. The government of Spain has reacted angrily to the gift, accusing the Greeks of trying to bribe the ECB and redoubling their own efforts to weave a gigantic sombrero-wearing straw donkey.
Left outside the European Central Bank in the dead of night, the horse has now been moved into the ECB's central lobby where it is proudly on display.
A gift tag attached to the horse, which is surprisingly light for its size and has small holes along the length of its body, suggested that it should be placed in the bank's vaults overnight to avoid it being targeted by thieves.
Mario Draghi, President of the ECB, said: "How nice of the Greeks to acknowledge the trouble we've been put to on their behalf with this wonderful horse, handmade and so large it could hold a dozen double-decker buses.
"The card with it, which had a teddy bear dressed as a hobo on the front, explained that Greece made us this because they don't have enough money for a present, which brought a tear to my eye.
"Nonetheless, unless they can somehow find 200 billion overnight then austerity measures must continue."
Oddly, Greek representatives in Brussels have hinted that they may soon be in a position to settle their debts and have puzzled the French and German banks that hold their loans by asking if there is any discount for cash.
The government of Spain has reacted angrily to the gift, accusing the Greeks of trying to bribe the ECB and redoubling their own efforts to weave a gigantic sombrero-wearing straw donkey.
Greece could exit eurozone, IMF chief tells FRANCE 24 International Monetary Fund chief Christine Lagarde told FRANCE 24 on Tuesday that even an "orderly" Greek exit from the eurozone would pose great risks but remains an option if the country's "budgetary commitments are not honored".
International Monetary Fund chief Christine Lagarde told FRANCE 24 on Tuesday that even an "orderly" Greek exit from the eurozone would pose great risks but remains an option if the country's "budgetary commitments are not honored".
The current government of Spain is "the spiritual reserve of the West".
Daily Mash could have proposed a gigantic hat-wearing, guitar-carrying Sherry bottle with a vest:
guaranteed to evoke a violent reaction from police is to challenge their right to "define the situation." --- David Graeber citing Marc Cooper
https://www.ipredict.co.nz/app.php?do=browse&cat=783
It will be hilarious (and probably lucrative) to see what antipodean money traders make of Greek politics.
Near the top of the list of the Pirate Party's demons is copyright protection, and rightly so. Copyright protection is an antiquated relic of the late Middle Ages that has no place in the digital era. It is debatable whether such government-granted monopolies were ever the best way to finance the production of creative and artistic work, but now that the internet will allow this material to be instantly transferred at zero cost anywhere in the world, copyrights are clearly a counter-productive restraint on technology. As every graduate of an introductory economics class knows, the market works best when items sell at their marginal cost. That means we maximize efficiency when recorded music, movies, video games and software are available to users at zero cost. The fees that the government allows copyright holders to impose create economic distortions in the same way that tariffs on imported cars or clothes lead to economic distortions.
As every graduate of an introductory economics class knows, the market works best when items sell at their marginal cost. That means we maximize efficiency when recorded music, movies, video games and software are available to users at zero cost. The fees that the government allows copyright holders to impose create economic distortions in the same way that tariffs on imported cars or clothes lead to economic distortions.
It makes no sense because you can apply it to almost anything. If everything should be priced at the marginal cost to 'maximise efficiencies', what product or service has actual use value?
If everyone in the arts should work for free, why doesn't the same argument apply to all other trades, professions and pastimes?
There's certainly a (long suffering) debate to be had about the value and financial structure of creative work. But resorting to meaningless econo-babble is simple anti-creative bigotry, and helps no one.
Therefore the marginal price of a Mercedes is zero, therefore... It is rightly acknowledged that people of faith have no monopoly of virtue - Queen Elizabeth II
i.e. it's not about value, it's about enforceability. If you've got a shotgun, maybe I will pay for cherries. It is rightly acknowledged that people of faith have no monopoly of virtue - Queen Elizabeth II
http://news.bbc.co.uk/2/hi/health/1158637.stm
if someone holds the "intellectual property" of an invention, can they veto research further developing this component?
Yes. Ever since I learnt about confirmation bias I've started seeing it everywhere
This might appear far fetched but the advance in 3D-printers has at least the Swedish furniture makers association worried. A vote for PES is a vote for EPP! A vote for EPP is a vote for PES! Support the coalition, vote EPP-PES in 2009!
You can make a case for open source engineering, although I don't think the technology for large objects is anywhere close to being ready yet. (Even if you can print the parts for a car - an interesting problem, given some of the alloys - how long is it going to take you to assemble them?)
But the basic issue is that there should always be rewards for useful inventiveness. Patents are a clumsy system, but if I spend X years and Y thousands of currency units developing something, I won't bother if there is no prospect of ever seeing a return on it.
That's a bad thing, on the whole.
I suspect there's a clear social reward curve, with rigid monopolies at one end and total free at the other. The point of maximum social reward is at neither of these extremes.
In all the smoke and rhetoric generated around the subject, I've yet to see anyone making a mature and reasoned attempt to find it.
- Jake If you only spend 20 minutes of the rest of your life on economics, go spend them here.
the basic issue is that there should always be rewards for useful inventiveness
Which was kind of my point.
Not that I care that much about Mercedes, or that I'd be against a system of public payment.
It makes no sense because you can apply it to almost anything.
Well, the marginal cost of making a loaf of bread never goes below the cost of ingredients and labor required to make the extra loaf. So yes, you can apply it to everything, but the result will be different.
ThatBritGuy:
If everything should be priced at the marginal cost to 'maximise efficiencies', what product or service has actual use value?
I don't see how that follows from Bakers argument. Or rather I don't see how the use value is related to the price.
Did we read the same article?
The Pirate Party knows where the money is - Opinion - Al Jazeera English
Of course we need to pay creative workers, but we should find more efficient mechanisms, where a higher percentage of the cost borne by the public ends up in the workers' pockets. Some alternatives already exist. There is much creative work in the United States and around the world that is supported directly by governments or private non-profits. For this work, writers, musicians, and other creative workers are paid for their work at the time they do it. There is no need for copyright protection.
So you pay everyone in the arts for the time to create, not per additional song downloaded. Not same as working for free. A vote for PES is a vote for EPP! A vote for EPP is a vote for PES! Support the coalition, vote EPP-PES in 2009!
And the argument still makes no sense, because it brings up the old canard of zero distribution cost -> therefore should be free.
Which is just plain nuts. (Even if the cost of internet distribution really was zero - which in practice it never is. Never mind the cost of instruments, art consumables, recording and video equipment, etc - most of which cost serious fuck loads of money if you need professional tools.)
The Pirate Party quote is interesting, but I don't see how it's even slightly related to what Baker is saying. (Have the Pirate Party ever made any concrete workable proposals for paying artists?)
I have seen Baker argue for some kind of bizarre voucher system in the past. Presumably lucky creatives can trade vouchers for food, or something.
I'm not sure what advantage that has over giving people actual money - except that it seems to avoid direct payment, and he appears to have some sort of problem associating creative work with real cash.
No? The voucher system he advocates in this very article would give real money to creatives. It's basically public funding.
The fact that he uses marginal pricing as an argument doesn't make current copyright laws any less deserving of euthanasia. Von überall könnte das Volk, Urbrut alles Undemokratischen, Zelle des Terrors, über die gewählten Hüter von Wachstum und Wohlstand® kommen. - flatter
Even if the cost of internet distribution really was zero - which in practice it never is.
It is very, very low. Otherwise there would not be an issue here at all, would it?
Never mind the cost of instruments, art consumables, recording and video equipment, etc - most of which cost serious fuck loads of money if you need professional tools.
Which stays the same no matter how many copies is made. An argument to pay a serious loads of money once and not per copy made.
I have seen Baker argue for some kind of bizarre voucher system in the past. Presumably lucky creatives can trade vouchers for food, or something. I'm not sure what advantage that has over giving people actual money - except that it seems to avoid direct payment, and he appears to have some sort of problem associating creative work with real cash.
Do you dislike public funding because of its lower status? Because it sure sounds like that to me. A vote for PES is a vote for EPP! A vote for EPP is a vote for PES! Support the coalition, vote EPP-PES in 2009!
I have no problem with public funding. In fact I'm personally involved in promoting various schemes.
What I have a problem with is glib economists and bystanders who know nothing about the subject thinking they can tell creatives how it should be done, on the basis of little knowledge and no practical experience.
(Have the Pirate Party ever made any concrete workable proposals for paying artists?) I have seen Baker argue for some kind of bizarre voucher system in the past. Presumably lucky creatives can trade vouchers for food, or something.
(Have the Pirate Party ever made any concrete workable proposals for paying artists?)
On one hand you appear to demand answers as to how artists should be payed, on the other you do not appear to want them.
So, given that copyright violations run rampant despite all draconic punishment and surveilliance laws that has been passed, what is your informed proposal for how artists should be payed in a world where copying continues? A vote for PES is a vote for EPP! A vote for EPP is a vote for PES! Support the coalition, vote EPP-PES in 2009!
You (and Baker, and the Marginalists) are equating price with production cost. But price might be equated to use value. And those need not be equal.
Production cost is how much you have to pay me to get me to produce something for you. Use value is how much I can expect you to pay me for giving you something.
If the production cost exceeds the use value, the thing doesn't get produced.
If the use value exceeds the production cost, there is room for bargaining, i.e. politics, in finding a clearing price. guaranteed to evoke a violent reaction from police is to challenge their right to "define the situation." --- David Graeber citing Marc Cooper
Or so everyone "creative" works for a government agency - properly supervised of course?
In practice, these proposals are to transfer what little scrap of income inventors/composers/etc now own fully to publishers.
Crowd-founding will save you. You never hard of kickstarter or what?
Seriously, that is the kind of argument that I tend to hear on any copyright discussions.
That said, one of my favourite webcomics had a success on kickstarter recently, so there seems to be a model for some creators.
He is also a big believer in the theory that manufacturing is a kind of stupid hobby.
And he is what passes for "left" economics in the USA right now.
At least in this question it is conservative against liberal economics all over again. 19th century redux. A vote for PES is a vote for EPP! A vote for EPP is a vote for PES! Support the coalition, vote EPP-PES in 2009!
The easy solution to today's mess is to throw the whole intellectual property system into the bin. Wanna make music? Fine, there's a coffee shop with a stage right down the street; put out your hat and see what coins drop into it. Wanna write software? Fine, make me an app for my iPhone and maybe I'll pay you $5 for it. Everything else is either a trade secret, which you keep secret on your own, or open source.
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