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by afew Tue Jul 31st, 2012 at 12:03:42 PM EST
From Stunning aerial views of Sheringham Shoal Offshore Wind Farm Wind power
For those keeping score: * Owned by Norwegian Statoil and Statkraft * Turbines: Siemens 3.6, 105m rotor dia. * 317 MWs, or 220,000 homes/yr. * 11 ships for construction, cabling and transport * Project fun videos HERE "Life shrinks or expands in proportion to one's courage." - Anaïs Nin
The 88 WTs themselves cost 450M, or 5.1M per, 1.4M/MW, with production planned at 1.1 TWh/yr. Foundations, cabling, and various and sundry development costs, financing and margins are extra.
Don't forget to get certified for offshore activity, it only takes a week, and you too can hang out at the construction hotel ship, with full internet and catering, and if you want a relaxing dive...
forget it, those guys doing risky scour protection and foundation/cabling monitoring are awesome. "Life shrinks or expands in proportion to one's courage." - Anaïs Nin
http://www.ekathimerini.com/4dcgi/_w_articles_wsite1_1_31/07/2012_454744
A bill paving the way for the government to close down dozens of universities as a way of reducing public spending caused rifts within socialist PASOK on Tuesday when a parliamentary committee convened to debate the draft legislation. Former health minister Andreas Loverdos boycotted the session but in a letter sent to MPs he called for the new bill to be revoked or voted down. In his letter, Loverdos called the new bill «anti-educational» and said that it violated democratic legislative procedures.
Former health minister Andreas Loverdos boycotted the session but in a letter sent to MPs he called for the new bill to be revoked or voted down. In his letter, Loverdos called the new bill «anti-educational» and said that it violated democratic legislative procedures.
Pool on how fast they kick him out of the party?
- Jake If you only spend 20 minutes of the rest of your life on economics, go spend them here.
Pretty soon, the first part of your phrase will be more apt.
3rd August - Leaving UK, visiting friend's boat on French canals (nr Paris).
6th - Heading to cologne (sadly I'm missing dvx who is on the wrong side of the pond, but I'll make do :-))
8th - Bremen drat CH not there !! Hamburg to hopefully see Karin and the model railway exhibition. If not, Berlin.
12/13th Bamberg. (I may be some time)
16th/17th (Wife of) Bath House keep to the Fen Causeway
Photos please!
12/13th Bamberg.
Will you travel to Bayreuth or whereabouts, too? *Lunatic*, n. One whose delusions are out of fashion.
or Bayreuth, with a few people caterwauling some opera stuff or other.
Man, that was almost a tough decision keep to the Fen Causeway
As I've mentioned here before, I remember reading an article about steam engines on the Chicago - Minneapolis route where a driver wrote of one particular loco a comment about "the rear springs are very rough at 125". Whilst the Mallard probably did get up to 126 mph (202 kph) for about 100 metres, I always felt these spot speeds, especially when taken on a very steep downhill slope after a long run up, were pretty dishonest.
so it was hardly a surprise to see that an engine with about twice the power of Mallard had cruised at 125, even hauling 1000 tons.
And what an engine which incorporated all of the ideas of La Porta, Chapelon & Wardale could do ...? keep to the Fen Causeway
But only if I had free tickets for Bayreuth. It is rightly acknowledged that people of faith have no monopoly of virtue - Queen Elizabeth II
dOCUMENTA 13
Artaud's Cave; Javier Tellez
About dOCUMENTA (13) The thirteenth edition of documenta involves more than 300 participants. The exhibition in Kassel is presented at eight main venues, with many other projects located at sites throughout the center of the city. Over the coming weeks an extensive program of lectures, seminars, congresses, films, and poetry readings, as well as a writers' residency and programs initiated by dOCUMENTA (13) participants, will be presented. dOCUMENTA (13) is physically and conceptually sited in four locations--Kassel, Kabul, Alexandria/Cairo, and Banff. dOCUMENTA (13) is dedicated to artistic research and forms of imagination that explore commitment, matter, things, embodiment, and active living in connection with, yet not subordinated to, theory. These are terrains where politics are inseparable from a sensual, energetic, and worldly alliance between current research in various scientific and artistic fields and other knowledges, both ancient and contemporary. dOCUMENTA (13) is driven by a holistic and non-logocentric vision that is skeptical of the persisting belief in economic growth. This vision is shared with, and recognizes, the shapes and practices of knowing of all the animate and inanimate makers of the world, including people. (C. Christov-Bakargiev) Visiting dOCUMENTA (13) We recommend you spend at least two days in Kassel to experience dOCUMENTA (13), in its many locations and forms. Tickets are available to purchase on site at dOCUMENTA (13) ticket outlets and information centers. These are located at the Hauptbahnhof, Friedrichsplatz, and the Orangerie. Tickets provide you with access to all venues and most events associated with the public program. Exhibition tickets also provide free access to the d13 busline, a service offered to visitors to conveniently link all the venues.
dOCUMENTA (13) is physically and conceptually sited in four locations--Kassel, Kabul, Alexandria/Cairo, and Banff.
dOCUMENTA (13) is dedicated to artistic research and forms of imagination that explore commitment, matter, things, embodiment, and active living in connection with, yet not subordinated to, theory. These are terrains where politics are inseparable from a sensual, energetic, and worldly alliance between current research in various scientific and artistic fields and other knowledges, both ancient and contemporary. dOCUMENTA (13) is driven by a holistic and non-logocentric vision that is skeptical of the persisting belief in economic growth. This vision is shared with, and recognizes, the shapes and practices of knowing of all the animate and inanimate makers of the world, including people. (C. Christov-Bakargiev)
Visiting dOCUMENTA (13) We recommend you spend at least two days in Kassel to experience dOCUMENTA (13), in its many locations and forms. Tickets are available to purchase on site at dOCUMENTA (13) ticket outlets and information centers. These are located at the Hauptbahnhof, Friedrichsplatz, and the Orangerie. Tickets provide you with access to all venues and most events associated with the public program. Exhibition tickets also provide free access to the d13 busline, a service offered to visitors to conveniently link all the venues.
I can appreciate nice pictures in art galleries and stuff and statues are ok, but if it gets any more intense than that, it goes right over my head.
I once visited the Tate modern with a friend of mine who understands all this stuff, so he was explaining the pieces to me and their context, which was genuinely interesting. but without a guide to spoon feed me what to think, I'm out of my depth.
Sorry. keep to the Fen Causeway
Sure, historical context and cultural knowledge help when experiencing artworks outside of your own time and culture.
Why do you enjoy certain types of music and not others? Does a favourite piece of music have meaning that you must discover? Or does it just resonate with your unique experience? You can't be me, I'm taken
But art ? A picture was always just a picture to me. And modern art was just...stuff keep to the Fen Causeway
my ears are good, i can hear between the notes, and all shades around them. but i needed visually oriented girlfriends to get me to see better. at least i was awake enough to seek them out.
i can even hear when the angle of attack on a rotor blade is not right, but i couldn't tell the difference between green. although i'm better now. "Life shrinks or expands in proportion to one's courage." - Anaïs Nin
There is a watershed for me, somewhere around the middle of the 20th century. Instinctively I am in tune with earlier stuff. After that, it's very hit and miss.
It's not mere familiarity, but the fact that I was exposed to it young, and am at least vaguely familiar with the historical and intellectual context, I suppose. I take every opportunity to expose my offspring to the modern stuff, and I suspect they get it much better than me. Or perhaps they are faking it to please their dad. In any case, they are not always waiting for me in the shop. It is rightly acknowledged that people of faith have no monopoly of virtue - Queen Elizabeth II
The intentions are the same: to sell stuff to a target group by manipulating their sensory behaviour. You can't be me, I'm taken
The intentions are the same: to sell stuff to a target group by manipulating their sensory behaviour.
Nope.
You've been brainwashed by the 'Everything is a market and markets are everything' fallacy.
You should try hanging out with people who are creative for other reasons. :)
If aesthetics is a "critical reflection on art, culture and nature," it's important to realize that aesthetics not only encompasses beauty (whatever that is) but also ugliness, comedy and tragedy (whatever they are).
I would probably have to own up to being an aesthetic realist. You can't be me, I'm taken
The invention of photography usurped the figurative demands made of the painter and almost certainly forced them to explore what the camera could not, at that time, accomplish. Exploring light (Impressionism), exploring space and surface (Cubism) and the metapainting of Pointillism or the Hyperpainting of Surrealism. (This is in broad strokes).
Post-War, painters started to explore the physical medium itself (e.g. Pollock) and then the spacial situations in which art was perceived - beyond the frame, as it were. Until Pop Art, which finally admitted that applied art (TV, movies, ads - the visual clutter around us) had opened a dialogue with the fine arts in which fine and applied influenced each other as the boundaries between them dissolved.
That dissolution was completed once we all went online. It was the shift from analogue to digital, where original and copy became indistinguishable. Fine Art was museified and out in an isolated niche, and thus started trundling toward its end. Fine artists are as relevant as priests or ostlers in today's culture. It's not surprising because the infrastructure that produced good fine artists has largely disappeared. I was amazed to find that a Helsinki Art School no longer taught life drawing; yet this is one of the best ways to learn the fine muscular coordination between surface, medium, hand and eye that makes it possible to make marks on a surface that appear exactly as intended.
Rehearsal is vital. The musician wants to produce a note as intended, a dancer a move as intended. Rehearsal is what is currently missing from the merged fine/applied arts. Or rather, the Intertubez are filled with rehearsal. Where once perhaps only the music teacher's cat had to listen to the tentative screeching of a child playing their first violin, now we can all experience the agony of every rehearsal.
I'm all for it. I want people to feel that the act of (visual) creativity is satisfying, and that we can all do it, if we try. But I also know that good works will only come after much rehearsal, so it's important to be tolerant and encouraging. You can't be me, I'm taken
The head of the european offshore wind research program from Frauenhofer Inst. lives in Kassel, and invited me to visit. I've always wanted to go to dOCUMENTA. i hope i find or make the time and means before it ends.
A day ticket on me to the first person who finds a photo of a water wave installed in a meadow.
i've been watching confidential videos of blade installations offshore, which not only are driving me nuts, but make me think J is financing industrial art that won't yet be recognized for a while. "Life shrinks or expands in proportion to one's courage." - Anaïs Nin
(i was trying to find that photo all night, to use as the image that dOCUMENTA art is not about paintings.)
This world hurts so bad, and waves in a meadow don't hurt so much.
SO, who's the artist?
Please post your IBAN numbers, or tell me when you're arriving, to collect your prize. I'd send you euros, but you're somewhere else.
Wow. "Life shrinks or expands in proportion to one's courage." - Anaïs Nin
Please post your IBAN numbers
Are you a Nigerian businesswoman?
B'stards keep to the Fen Causeway
*Lunatic*, n. One whose delusions are out of fashion.
Alt email : helenwaldie58 at gmail dot com keep to the Fen Causeway
B'stards
You mean Saint-Lopards.
Purely by chance I managed to see several episodes of the great Rik Mayall vehicle The New Statesman, subtitled in French, in the early nineties. I must look up the show to see if they are really as good as it seemed at the time.
Often, the subtitles were better than the original. Saint-Lopard is much better than B'stard. It is rightly acknowledged that people of faith have no monopoly of virtue - Queen Elizabeth II
Comments by Jeremy Paxman in which he called the Bible's book of Genesis "hogwash" during an edition of Newsnight have been ruled offensive by the BBC Trust. The no-nonsense presenter - known for his robust style - also referred to those with a literal belief in the Old Testament as "stupid people". The Trust's Editorial Standards Committee decided the terms were offensive to some parts of the audience and there was "no clear editorial purpose" for their use.
Comments by Jeremy Paxman in which he called the Bible's book of Genesis "hogwash" during an edition of Newsnight have been ruled offensive by the BBC Trust.
The no-nonsense presenter - known for his robust style - also referred to those with a literal belief in the Old Testament as "stupid people".
The Trust's Editorial Standards Committee decided the terms were offensive to some parts of the audience and there was "no clear editorial purpose" for their use.
Hogwash. *Lunatic*, n. One whose delusions are out of fashion.
I believe that Paxo will treat their verdict with the contempt it deserves keep to the Fen Causeway
http://make-everything-ok.com/ Any idiot can face a crisis - it's day to day living that wears you out.
I'm 100% busy at the leading edge of technology so as to be able to expand the possibilities of human/computer symbiosis.
So if you think you've got problems NOW, just wait!
BAH-wah-HAAHAHAHAHAHAHAHAHA!
He laughed. In his most deranged voice. Ever since I learnt about confirmation bias I've started seeing it everywhere
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