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Also, I'd take issue with the Economist's analysis of culture.

Sure, the US dominates TV and movie output, but that is in part an artifact of language and economic circumstance. However, in the end, US programs are a certain kind of escapism. They represent fundamentally different things abroad than they do in the US.

(There is a diary hiding in this concept, but perhaps kcurie or someone is better qualified to write it than I?)

I really think the Economist is in danger of losing it's identity as an international magazine. It begins to sound more like a US magazine every day.

by Metatone (metatone [a|t] gmail (dot) com) on Mon Feb 6th, 2006 at 05:15:51 PM EST
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