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Sure, the US dominates TV and movie output, but that is in part an artifact of language and economic circumstance. However, in the end, US programs are a certain kind of escapism. They represent fundamentally different things abroad than they do in the US.
(There is a diary hiding in this concept, but perhaps kcurie or someone is better qualified to write it than I?)
I really think the Economist is in danger of losing it's identity as an international magazine. It begins to sound more like a US magazine every day.
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