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One is the quintessential story teller and serials writer, with long stories there mostly for the purpose of entertainment : Dumas.
Whereas Hugo was an art theoretician, fighting the "Bataille d'Hernani" not only writing novels but poetry, verses, theater, and he was also very political, going into exile after Napoleon le Petit's coup d'état. Les Misérables isn't exactly politically neutral, unlike the Three musketeers...
There's a reason Hugo went to the Pantheon as soon as he died whereas Dumas was only transferred there quite recently... Un roi sans divertissement est un homme plein de misères
Also, the biographies of Hugo and Dumas Sr, who were troubled friends, are more similar than you make it.
My confusion isn't helped by the fact that (checking) Dumas wrote his pro-Napoleon father's post-Napoleon situation into Monte Cristo (as the father of Villefort), while Hugo did the same with his own pro-Napoleon father in Les Misérables (Pontmercy). Further:
fighting the "Bataille d'Hernani"
In which Dumas both preceded him and supported him.
A Guide to the Life, Times, and Works of Victor Hugo - by David Falkayn - Google books:
HERNANI. ...The success of Alexandre Dumas' " Henri III." had been a surprise. The classics, unprepared and taken unawares, had not been able to resist. They swore that such a calamity shall not befall them a second time...
...The success of Alexandre Dumas' " Henri III." had been a surprise. The classics, unprepared and taken unawares, had not been able to resist. They swore that such a calamity shall not befall them a second time...
Full text of "The Incredible Marquis Alexandre Dumas"
At one o'clock on the afternoon on February 25, 1830, a mob of young men gathered at the rue de Valois door of the Thatre-Franais and pushed through into the unlighted auditorium. ...Dumas, among the earliest to arrive, bayed with joy as the strange figures of the Romantics, garmented in cos- tumes indicating their complete break with the old conservative tradition, appeared in the doorway.
...Dumas, among the earliest to arrive, bayed with joy as the strange figures of the Romantics, garmented in cos- tumes indicating their complete break with the old conservative tradition, appeared in the doorway.
he was also very political
So was Dumas:
Alexandre Dumas père
The revolution of 1830 temporarily diverted Dumas from letters. The account of his exploits should be read in his Mémoires, where, though the incidents are true in the main, they lose nothing in the telling. During the fighting in Paris he attracted the attention of Lafayette, who sent him to Soissons to secure powder. With the help of some inhabitants he compelled the governor to hand over the magazine, and on his return to Paris was sent by Lafayette on a mission to raise a national guard in La Vendée. The advice he gave to Louis-Philippe on this subject was ill-received, and after giving offense by further indiscretions he finally alienated himself from the Orleans government by being implicated in the disturbances which attended the funeral of General Lamarque in June 1832, and he received a hint that his absence from France was desirable. A tour in Switzerland undertaken on this account furnished material for the first of a long series of amusing books of travel. Dumas remained, however, on friendly and even affectionate terms with the young duke of Orleans until his death in 1842.
Also, there's this:
Alexandre Dumas > Dumas' Life > His close relations > Victor Hugo
Hugo, a political exile, saw Dumas quite often, who was in Brussels because of his debts. Dumas also visited Napoélon III's most famous opponent in Guernesey and publicly stood up for him in France.
There's a reason Hugo went to the Pantheon as soon as he died whereas Dumas was only transferred there quite recently...
I wouldn't be surprised if that had more to do with race than his achievements relative to Hugo. *Lunatic*, n. One whose delusions are out of fashion.
Also, from my rememberings of what extracts we actually studied in class, the extracts of Les Misérables were often the more "socially conscious" ones, Gavroche and les barricades, Cosette... And Notre Dame de Paris was more or less ignored. Un roi sans divertissement est un homme plein de misères
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