Welcome to European Tribune. It's gone a bit quiet around here these days, but it's still going.
I can certainly hear a main melodic line in her singing, the guitar does a solo at a certain point.  For me (maybe just for me!) the furniture part--the magnolia part--is the (for my ears clumpy) four beat.

Maybe to the extent one wants or needs to take the music apart for specific purposes, certain tonal effects (over time) can and are given specific names--music theory is the study of all that.  It depends what the focus is maybe--as you say.  Also, I suppose that overtones (as I understand them--I mean, those extra tones that appear around the original tone) create an automatic harmonic structure for any series of tones--I was thinking of using a piece with someone whistling, as "the bit you can whistle" is one version ("Bloody racket.  Where's the tune?  You can't whistle that, can you?") of what the melody is.  There's a piece by Neil Finn called "Try Whistling This"--a test of whistling skill?

Don't fight forces, use them R. Buckminster Fuller.

by rg (leopold dot lepster at google mail dot com) on Thu Apr 10th, 2008 at 07:06:54 AM EST
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