Cameron sleepwalks towards Europe's exit

The timing of the government's demise could mark the difference between a serious argument about Britain's relationship with Brussels and a rupture that would set in train its eventual departure.

It is clear to all that Mr Cameron wants to derail the process of European integration. His decision to withdraw from the European People's party, the European parliament's mainstream centre-right group, is a step in that direction. By aligning with a hotchpotch of small far-right parties, Mr Cameron has downgraded his party's relationship with its French and German cousins.

To move Britain to the sidelines of influence is one thing. To threaten to blow up the Lisbon accord is another. This is what Mr Cameron proposes by pledging to campaign for its rejection in a British referendum. And this is where the timing of the general election really matters.

(...)

the consequences would be monumental. Mr Cameron might argue that earlier versions of the treaty were rejected in referendums in France, the Netherlands and Ireland. But these were not conscious acts of government.

Withdrawal from the EPP is a Tory shot across the bows of European integrationists. Wrecking the Lisbon treaty would be a declaration of war. Such would be the crisis in Britain's relationship with its partners that it would precipitate compelling calls for a re-evaluation of its membership of the EU. Many Conservatives, one suspects, would cheer.

The Serious People are not Amused.


In the long run, we're all dead. John Maynard Keynes

One of the most depressing things in the UK is the way in which culture has been completely colonised by the US. It's so pervasive it's part of the background noise, and no one notices.

A trivial example - at a local open microphone night, with exactly one exception, all of the singers sang with a fake US accent.

One even sang a song he'd written about Vietnam, even though I'm pretty sure the closest he'd ever been to Vietnam was his DVD copy of Apocalypse Now.

30-40 years a folk night would have British folk songs - some of which are aggressively socialist and populist - and people would have dared to sing them with a British accent.

Now we have an endless wave of poor Bob Dylan clones.

That's what I mean by meddling. Of course, there's no Central Secratariat of Cultural Propaganda in the US which has made this happen. (Or maybe there is - I don't know.)

But if it's subtle enough, it happens by osmosis. And it has a huge effect on what people who absorb culture and media are able to imagine about the world.