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Speaking of films: at long last I watched the 1979 English gangster epic The Long Good Friday, which I wanted to see ever since ChrisCook posted a YouTube video with its ending.

This is the film in which Bob Hoskins (whom I only knew for his later, mostly comedic roles) shows the acting of his life as a gangster boss trying to become a legal businessman, and in which young Pierce Brosman left enough impression in a role with a single "Hi" as the only spoken word to establish his career in film, but Helen Mirren as the brain behind the brawn was just as impressive.

I read in advance that the film was prophetic in capturing the spirit of the coming Thatcher era. This included the very project Hoskins's gangster wanted to start to become a 'legal businessman': re-developing London's Docklands district (which happened in reality, on an even grander scale than imagined in the film). And here it got personal for me: as a child I visited London in 1980 (on a grand trip of Western Europe with my family) and we also took a walk across the Docklands, and I recognised where on the grand camera pan early in the film (shot just a year before we were there); now all of this is history.

*Lunatic*, n.
One whose delusions are out of fashion.

by DoDo on Fri Nov 21st, 2014 at 03:13:09 PM EST
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I, too, thought that was a fabulous film. Oddly enough, Hoskin's gangster's attitude of dismissal toward the issues posed by Brosnan's people reminded me strongly of the saying "you may not be interested in politics, but politics is interested in you."  His expression while riding in the car, when he realized how wrong he had been to ignore them, was perfect.

'tis strange I should be old and neither wise nor valiant. From "The Maid's Tragedy" by Beaumont & Fletcher
by Wife of Bath (kareninaustin at g mail dot com) on Fri Nov 21st, 2014 at 05:37:07 PM EST
[ Parent ]
It's many years since I saw the film but my memory suggests that Brosnan was making a power play and was using the sourcing of weapons from the IRA as a way to remove the leader.

keep to the Fen Causeway
by Helen (lareinagal at yahoo dot co dot uk) on Sat Nov 22nd, 2014 at 09:01:37 AM EST
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Brosnan was only one member of a hitman team sent in revenge for IRA deaths. At the start of the film, a subordinate of the gangster boss takes some "revolutionary tax" to Northern Ireland, steals from it before handing it over, and then someone kills the IRA men just when they counted the money and noticed the missing amount; later on, it is told that the IRA concluded that the gangster boss was behind the killings. Later on the gangster boss thinks he dealt with the IRA problem by murdering the two men who ran the IRA's London representation.

*Lunatic*, n.
One whose delusions are out of fashion.
by DoDo on Sat Nov 22nd, 2014 at 10:54:13 AM EST
[ Parent ]
I think it was a slightly different take: the gangster saw politics as a corrupt business which can be bought or threatened like any other business, and refused to listen to subordinates who warned him that the IRA are fanatics and thus in a different league. (In that, the film was again prophetic: the IRA did prove to be a greater menace in London, too, than the gangsters of the 1960s ever were.)

I read the film failed to find a distributor for one year due to the IRA angle.

*Lunatic*, n.
One whose delusions are out of fashion.

by DoDo on Sat Nov 22nd, 2014 at 10:58:41 AM EST
[ Parent ]

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