Welcome to European Tribune. It's gone a bit quiet around here these days, but it's still going.
Display:
Oddly enough, the pertinent question in historiography and other objects subject to analytical exposition is, how to integrate, grossly classified, the known and unknown. That end appears from the beginning of human industry.

The person(s) who compiled the  Sheela na gig collection that Oui links to are struggling with two unknown sets of knowledge--early modern, ecumenical christian dogma and pre-historic ethnography on the island living.

By pre-historic I mean only not written, not documented, narrative about the political economy of the tribūs, its various aspects including but not limited to sexual mores of the OPPRESSED and the OPPRESSORS! (Historical illiteracy, or oral tradition, at the further reaches of Greco-Roman, East-West imperial administration is a well-heeled joke: "There has even been a book written on the subject called "The Vilein's Bible" which documents how church sculpture was used to provide moral lessons to a largely illiterate population of poorly educated people.") That's a thought derived from the "authoritarian" vein of "victimology" present in contemporary studies of sociology.

Then there's another way to read the icons, that refers to syncreticism which has been a particularly fruitful analytical model in studies of comparative religion, of which iconography. Ironically, missionary role in 500 years slave trade of American (not US) natives and Africans provide ample evidence of "tolerance" and "intolerance" in conversion outcomes. That evidence is documentary, oral, and iconographic.

Diversity is the key to economic and political evolution.

by Cat on Tue Apr 23rd, 2019 at 12:30:38 PM EST
[ Parent ]

Others have rated this comment as follows:

Display:

Occasional Series