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Hugo Chavez, G8, and iMusic

by Anderson Republican Thu Jul 21st, 2005 at 07:19:58 AM EST

 It's not often, even for the more world-concious of us, for something to come along and smack us upside the head, but this article about Hugo Chavez and music got me thinking a bit.

 (Warning - not really a very political diary.)

 


The National Assembly, which is dominated by Chavez, recently passed a law requiring that no less than 50 percent of all music played on the nation's radio stations be Venezuelan. Of that, half must be classified as "traditional, " showcasing the "the presence of traditional Venezuelan values." Chavez backers say the harps and bandolas that now resound through this country of 25 million are playing the overture to a musical revolution.

"We've always had traditional Venezuelan records in stock, but before a few months ago we never sold any -- not one," said Miguel Angel Guada, manager of the Disco Center Superstore in one of the capital's largest malls. "It was all Britney Spears, Backstreet Boys and that sort of thing. But now I'd say one-third of our business comes from Venezuelan artists, which is absolutely incredible."

 This shook me. I used to spend my dissolute life in one of the greatest (IMO) used record stores in the Midwest. Sadly, it's now closed, but I remember spending hours there listening to music that you would never ever ever hear on American radio, from the most obscure jazz and blues to big band and opera and most things in between. I can state with pretty good knowledge that my musical 'palette' is broader than the vast majority of the U.S.

 And yet, my iMusic is full of - Anglo-American music.

 Sure, there's an small international presence there - Bob Marley and Burning Spear, Daft Punk - but the majority runs right along that America-Britain axis. And, of course, the 800 pound gorilla that is major music keeps us from hearing alternate music.

 Cut to G8. I was fortunate, I guess - I got to watch on broadband, and go where I wanted. As a result, I got exposed to bands like Juli and Negrita that I'd never hear otherwise. But yet, when the TV's on, when the event's over - what's promoted? London. Philadelphia. They couldn't even bother to put up a constant feed in Johannesburg. The Africa Music festival up north of London might as well not have existed.

 How do folks in other countries deal with the Anglo cultural presence? Is your country pretty strong in it's own music, or is it dominated by America and Britain? What should I be listening to from where you're at?

 Talk to me, folks.

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Not political is good. It's in the mission statement, so you're clear there!
by Colman (colman at eurotrib.com) on Thu Jul 21st, 2005 at 07:25:33 AM EST
2nd that motion...not political is jes fine.

I traveled in Venezuela a few years back and there was this madman DJ screaming "SUUUUUUUPERRRRRR TUUUUESDAYYY!!!" and playing lots of Latin music on his station...mostly salsa type stuff, I think.

I live in Switzerland, and the radio we here is...yep, US-Brit axis...though they also play some good Swiss and Italian bands, for a nice change. Myself, I'm way into African music, Cuban and Brazilian miusic...but I don't find this on the radio...I have to search it out elsewhere (Stern's in London is a huge African band source). Interestingly, African, Cuban, Brazilian, etc. bands are pretty well known here, and get great turnouts to their concerts when they come around. So...is there some radio I don't know about? Or is it people searching out what they like...don't know...

Oh, I do hear an occasionally Swiss alp horn...which are pretty haunting...but not on radio!!

"Once in awhile we get shown the light, in the strangest of places, if we look at it right" - Hunter/Garcia

by whataboutbob on Thu Jul 21st, 2005 at 08:36:39 AM EST
[ Parent ]
I have to say I am disturbed by the legislating of what can be played (even if it's just percentages) on radio (or TV, or whatever).

That said, I agree that a variety of music and musical styles is a good and necessary thing. Finding ways to be exposed to new music is a lot of work, but it's a job that's been made much easier by the wonderfully varied, locally and internationally focused KEXP out of Seattle. They broadcast over the internet, and support it with an excellent and actually informative website containing detailed playlists and lots more. I've been exposed to more new music of all kinds here than anywhere else. If you have broadband, check them out.

by wheylona on Thu Jul 21st, 2005 at 01:43:35 PM EST
 Thankya, thankya.

....because I would rather see us reduce the consumption of imported oil than have to send American boys to fight in the Persian Gulf. - John B. Anderson
by Anderson Republican on Thu Jul 21st, 2005 at 02:36:02 PM EST
[ Parent ]
KGLT (at:  KGLT.net) from Bozeman, Montana plays a good mix of stuff too.  A lot of american stuff, but the station is entirely community suppored and openly anti-corporate radio.  (I'm listening to their Ska show right now!)

They are streaming on the net now too!

Sorry about not providing a link.

by montanamatt on Fri Jul 22nd, 2005 at 01:35:28 PM EST
[ Parent ]
Another suggestion if you have broadband is WCBE, 90.5. Columbus Ohio.

WCBE plays Irish music on Saturday afternoons.  They also play music that does not get played on the corporate stations.

They often do live studio broadcasts of groups that are playing here in Columbus.

by tobysmom (tobysmom) on Thu Jul 21st, 2005 at 05:00:18 PM EST
 Adding to my iTunes list now.

....because I would rather see us reduce the consumption of imported oil than have to send American boys to fight in the Persian Gulf. - John B. Anderson
by Anderson Republican on Thu Jul 21st, 2005 at 07:46:11 PM EST
[ Parent ]
France has similar quotas - all radio stations have to play at least 50% of European bands and 40% of French bands, If I remember the numbers correctly.

this tends to favor a heavy rotation of the biggest French stars, and a lot of replay of the French goldies, but it does help to bring more variety to the music.

Places that have a real music scene of their own, like France or Russia, have better music altogether, I'd say. In France, you get both the French stuff and the anglo/international stuff, in Russia you get Russian + international, whereas in the UK or US, you only get the international stuff. In the UK, I feel that's something's missing in my music mix, which I do not feel in Russia, where there is a different kind of variety,bu just as pleasant.

In the long run, we're all dead. John Maynard Keynes

by Jerome a Paris (etg@eurotrib.com) on Thu Jul 21st, 2005 at 07:11:47 PM EST
 Thanks for the info.

....because I would rather see us reduce the consumption of imported oil than have to send American boys to fight in the Persian Gulf. - John B. Anderson
by Anderson Republican on Thu Jul 21st, 2005 at 07:46:45 PM EST
[ Parent ]
Random thoughts...

I don't listen to music as much as I used to (silence, or relative silence, has become more precious to me as I get older and it gets rarer).  But a recent eye opener for me was watching the film 'Buena Vista Social Club' which exposed me to a set of Cuban jazz performers I had only known about vaguely (osmotically as you might say).  It was a rather nifty film, both for the realistic footage of Cuba and for the amazing musicians (interviewed as well as filmed performing and recording).  Apparently (OK, I'm way out of touch with pop music since my early 20's when I got interested in opera and b'way and lost touch with the pop scene) the Buena Vista Social Club band became a big hit in the US when a recording of their music was made by Ry Cooder.

It was some really nice music, and also reminded me how just one in a hundred or more artists from non-Anglo worlds make it through the commercial barriers and get any exposure in the US.  You can almost count them on the fingers of four or so hands -- the Bulgarian Women's Choirs, Ladysmith Black Mambazo (sponsored by big star Paul Simon), various Brazilian artists collected and repackaged by an Anglo pop star in the Beleza Tropical albums, and so on and so forth.  A few token "exotic" stars (remember Yma Sumac? Babatunde Olatunji?) plus more recently, various "world music" compilations which lump together music from "anywhere but Anglo-land" as if it was all one and the same.  Whereas in actuality, the music scene in every country is jumping, especially as recording technology gets cheaper and more ubiquitous, and there's such a tidal wave of non-Anglo music out there that you couldn't listen to all of it if you spent the rest of your life at it...  it's daunting, really.

I am just old enough that the whole MP3 thing is still a bit alien to me.  I do have an off brand open-source MP3 portable player and know how to use all the linux tools for ripping and burning cds, but usually don't bother since (as I mentioned) background music is just not a big part of my life any more.  I notice though that for the generation after me (20-30 years old now), many of them seem inseparable from their headphones and iPods.  Is this a good thing?  I don't know.  Certainly it seems to cut down on the number of conversations people have on public transit and other public spaces, as half of 'em are in a private audio world of their own.

As for Chavez' intervention in the radio scene, frankly I think it's laudable.  Bad money drives out good, which is why we have regulation of currency and finance.  And (again frankly, elitist though this may sound I think there's good empirical evidence for it) bad entertainment drives out good, which is why the whole damn US media system has slowly sunk to the mental-midget and bread-n-circuses level.  A big media company like Disney, Sony, etc. can always afford to buy up enough ad time and product placement spots to make its commercial music or prepackaged actors or tie-in kiddie toys sell like hotcakes simply by brute overexposure.  And this kills all local competition in the same way that Wal*Mart kills local mom-n-pop stores and eviscerates downtowns.  It isn't fair competition, and the end state is a a completely homogeneous, corporate-owned, "Japanglo" slick music machine cranking out junk music to go with corporate junk food:   superficially tasty but all the same, same, same.  And as with all corporate media, very likely to be actually a promotional tool for something else rather than an art form in its own right.

I seem to recall somewhere in modern Asia (Hong Kong?) the merger is complete:  many new "music releases" are just lengthy promotional/advertising jingles, which are made freely available to the public.  The PR agencies' customers pay for the production and distribution.  Can anyone remember reading about this?  Think it might have been at boingboing or slashdot or stayfree or some similar venue when the intelprop follies are discussed.

The difference between theory and practise in practise ...

by DeAnander (de_at_daclarke_dot_org) on Thu Jul 21st, 2005 at 08:06:50 PM EST
I have to say, beyond my love of African music, the other music I listen to a lot, will not be heard much on the radio at all. I like hearing live performances of bands (and coming from SF, there's a lot of great bands there alone...going all the way back to the old 60-70s bands), and there is a website of bands that allow their live music to be downloaded free (as long as you don't sell it).

http://www.archive.org/audio/etreelisting-browse.php

There's a lot of bands on this list. You need to download some software to access this stuff, but beyond the time it takes to do this, it's free too.


"Once in awhile we get shown the light, in the strangest of places, if we look at it right" - Hunter/Garcia

by whataboutbob on Fri Jul 22nd, 2005 at 03:12:44 AM EST
Seems to me that Canada has some nationally oriented  music requirements for its stations. But then it's been a while since I've lived there, so how about you guys up north of me?

NVA, a viable option when the political process fails.
by NorthDakotaDemocrat (NorthDakotaDemocrat at gmail dot com) on Fri Jul 22nd, 2005 at 03:57:51 AM EST
Yes, there's a Canadian content requirement (not sure of the exact percentage) and that was one of the hold-ups in getting XM and Sirius satellite radio adopted north of the border, although physically you could pick up their signals (I recently vacationed in Ontario and had probably fewer reception problems than I had later in Vermont).

As a jazz fan I was delighted to find a commercial jazz station in Toronto that featured a great many excellent Canadian jazz artists; folks I hadn't heard on my local Public Radio station in the states.  I went right over to Younge Street and spent way too much money on jazz CDs!  LOL

In my limited experience anyway, it appears that the "local content" requirement has been very good for the jazz scene in Canada.

What is the use of a house if you haven't got a tolerable planet to put it on? - Thoreau

by Dem in Knoxville (green_planet_2000 (at) yahoo (dot) com) on Fri Jul 22nd, 2005 at 01:05:15 PM EST
[ Parent ]
Forgot to ask if you had any links to Venezuela music?

NVA, a viable option when the political process fails.
by NorthDakotaDemocrat (NorthDakotaDemocrat at gmail dot com) on Fri Jul 22nd, 2005 at 03:59:18 AM EST
in italy there is pino daniele, a wonderful, worldclass musician, imo.

i totally agree with deanander's point about overexposure and brute force marketing. $10 million to promote a madonna album, i mean please!

for those in the usa despairing of radio pablum, i recommend a trip to the kerrville music festival in texas. it restored my faith in the irrepressible vigour of songwriting, and the bubbling spring of authentic downhome contemporary folk culture, under the tawdry, soulless surface of ads that sound like top 40 and vice-versa.

no doubt left in my mind any more that god is a songwriter, and the human race would have disappeared into ignominous perdition aeons ago, were it not for the guild of crafty alchemists aka songwriters and their discreet magic.

tom prasada-rao was my favourite i heard there, also groovelily were great.

'The history of public debt is full of irony. It rarely follows our ideas of order and justice.' Thomas Piketty

by melo (melometa4(at)gmail.com) on Fri Jul 22nd, 2005 at 07:21:35 AM EST


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